Hannah Erxleben
To me, the recorder is a ‘tabula rasa’, an empty slate, a minimalistic wooden tube. Whenever I play it, I experience it differently. Depending on the music it is being fed and who feeds it, the instrument conveys the most contrasting states of mind.
Agenda
The Birth of the Opera
At the close of the 16th century a fresh musical and poetic language was then born. A story about the birth of the opera.
21.03.2025 | Lutherse Kerk, Den Haag
22.03.2025 | Sint Lambertuskerk, Buren
23.03.2025 | Oude Lutherse Kerk, Amsterdam
Batzdorfer Barockfestspiele
In the unique ambiance of the Renaissance Knights' Hall and the large wine cellar of the castle, visitors can enjoy baroque concerts.
02-07.09.2025 | Schloss Batzdorf
Willem Jeths Recorder Concerto
Hannah Erxleben plays Willem Jeths' Recorder Concerto with Robbert van Steijn and the Leipziger Symphonieorchester
05-07.06.2026 | Leipzig
Past
The Birth of the Opera
At the close of the 16th century a fresh musical and poetic language was then born. A story about the birth of the opera.
21.03.2025 | Lutherse Kerk, Den Haag
22.03.2025 | Sint Lambertuskerk, Buren
23.03.2025 | Oude Lutherse Kerk, Amsterdam
Batzdorfer Barockfestspiele
In the unique ambiance of the Renaissance Knights' Hall and the large wine cellar of the castle, visitors can enjoy baroque concerts.
02-07.09.2025 | Schloss Batzdorf
Willem Jeths Recorder Concerto
Hannah Erxleben plays Willem Jeths' Recorder Concerto with Robbert van Steijn and the Leipziger Symphonieorchester
05-07.06.2026 | Leipzig
all about recorder
Hannah works in many different musical fields. Her strongest focus lies on Early Music and the newly discovered ‘Electro Baroque’ which she explores in her Duo ‘Reimagined’. Next to that, she is playing contemporary music and has a favor for interdisciplinary art. Whatever it is, as long as it features recorder or has a potential space for the instrument, Hannah is keen to claim a place in it.